****** Sequence of examples on computer music lecture tape. ******
 
1 -- Sine Wave Prelude   (3 different envelopes, pure sine tones.)

2 -- 13-tone scale from middle C. (2 times, no leader between)

3 -- 13 over 12;  14/12;  15/12;  18/12;  24/12.   Stereo, no reverb.
 
4 -- Woodblock (xylo) rhythms.  8th note bass, Eb-G.  Upper, C, F#, etc.
       8ths;   triplets(12th);   16th;   quintuplets(20);   sextuplets(24);
       septuplets(28);   nonuplets(36);   13:2(26ths).
 
5 -- Same as above but 2 times with accel. and rit.  mm=60→180,  180→32.

6 -- FM: Small bells, then trumpets.   (Chowning's father-in-law's carol.)

7 -- Repeat of Sine Wave Prelude   (3 different envelopes, pure sine tones.)
 
8 -- Jazz improvisation.  (3 choruses, Blues in C)
 
9 -- Bach, "Musical Offering", Riddle canon (Seek and ye shall find.)
 
10--   "       "           "       Endless ascending modulation.
                    (The modulation ascends as does the glory of the King.)

11-- Bach, "Musical Offering", 3-part canon with changing FM and additive sounds.

12--   "       "           "       4-part canon in G minor.     "    "      "         "
 
13-- Excerpt from end of "Machines of Loving Grace".  Gradual glissando, etc.
 
14-- Brief excert from "Preludio a Cristobal Colon" by Julian Carrillo.
       96-tone octave.  Starts with 1/8 tones (i.e. 48/oct), then 1/4s (24/oct),
       then 1/8s again.  Starts on E, fermata on E, E, B, E:B.



****** Sequence of examples on computer music lecture tape. ******
 
1 -- Sine Wave Prelude   (3 different envelopes, pure sine tones.)

2 -- 13-tone scale from middle C. (2 times, no leader between)

3 -- 13 over 12;  14/12;  15/12;  18/12;  24/12.   Stereo, no reverb.
 
4 -- Woodblock (xylo) rhythms.  8th note bass, Eb-G.  Upper, C, F#, etc.
       8ths;   triplets(12th);   16th;   quintuplets(20);   sextuplets(24);
       septuplets(28);   nonuplets(36);   13:2(26ths).
 
5 -- Same as above but 2 times with accel. and rit.  mm=60→180,  180→32.

6 -- FM: Small bells, then trumpets.   (Chowning's father-in-law's carol.)

7 -- Repeat of Sine Wave Prelude   (3 different envelopes, pure sine tones.)
 
8 -- Jazz improvisation.  (3 choruses, Blues in C)
 
9 -- Bach, "Musical Offering", Riddle canon (Seek and ye shall find.)
 
10--   "       "           "       Endless ascending modulation.
                    (The modulation ascends as does the glory of the King.)

11-- Bach, "Musical Offering", 3-part canon with changing FM and additive sounds.

12--   "       "           "       4-part canon in G minor.     "    "      "         "
 
13-- Excerpt from end of "Machines of Loving Grace".  Gradual glissando, etc.
 
14-- Brief excert from "Preludio a Cristobal Colon" by Julian Carrillo.
       96-tone octave.  Starts with 1/8 tones (i.e. 48/oct), then 1/4s (24/oct),
       then 1/8s again.  Starts on E, fermata on E, E, B, E:B.
****** Sequence of examples on computer music lecture tape. ******
 
1 -- Sine Wave Prelude   (3 different envelopes, pure sine tones.)

2 -- 13-tone scale from middle C. (2 times, no leader between)

3 -- 13 over 12;  14/12;  15/12;  18/12;  24/12.   Stereo, no reverb.
 
4 -- Woodblock (xylo) rhythms.  8th note bass, Eb-G.  Upper, C, F#, etc.
       8ths;   triplets(12th);   16th;   quintuplets(20);   sextuplets(24);
       septuplets(28);   nonuplets(36);   13:2(26ths).
 
5 -- Same as above but 2 times with accel. and rit.  mm=60→180,  180→32.

6 -- FM: Small bells, then trumpets.   (Chowning's father-in-law's carol.)

7 -- Repeat of Sine Wave Prelude   (3 different envelopes, pure sine tones.)
 
8 -- Jazz improvisation.  (3 choruses, Blues in C)
 
9 -- Bach, "Musical Offering", Riddle canon (Seek and ye shall find.)
 
10--   "       "           "       Endless ascending modulation.
                    (The modulation ascends as does the glory of the King.)

11-- Bach, "Musical Offering", 3-part canon with changing FM and additive sounds.

12--   "       "           "       4-part canon in G minor.     "    "      "         "
 
13-- Excerpt from end of "Machines of Loving Grace".  Gradual glissando, etc.
 
14-- Brief excert from "Preludio a Cristobal Colon" by Julian Carrillo.
       96-tone octave.  Starts with 1/8 tones (i.e. 48/oct), then 1/4s (24/oct),
       then 1/8s again.  Starts on E, fermata on E, E, B, E:B.
****** Sequence of examples on computer music lecture tape. ******
 
1 -- Sine Wave Prelude   (3 different envelopes, pure sine tones.)

2 -- 13-tone scale from middle C. (2 times, no leader between)

3 -- 13 over 12;  14/12;  15/12;  18/12;  24/12.   Stereo, no reverb.
 
4 -- Woodblock (xylo) rhythms.  8th note bass, Eb-G.  Upper, C, F#, etc.
       8ths;   triplets(12th);   16th;   quintuplets(20);   sextuplets(24);
       septuplets(28);   nonuplets(36);   13:2(26ths).
 
5 -- Same as above but 2 times with accel. and rit.  mm=60→180,  180→32.

6 -- FM: Small bells, then trumpets.   (Chowning's father-in-law's carol.)

7 -- Repeat of Sine Wave Prelude   (3 different envelopes, pure sine tones.)
 
8 -- Jazz improvisation.  (3 choruses, Blues in C)
 
9 -- Bach, "Musical Offering", Riddle canon (Seek and ye shall find.)
 
10--   "       "           "       Endless ascending modulation.
                    (The modulation ascends as does the glory of the King.)

11-- Bach, "Musical Offering", 3-part canon with changing FM and additive sounds.

12--   "       "           "       4-part canon in G minor.     "    "      "         "
 
13-- Excerpt from end of "Machines of Loving Grace".  Gradual glissando, etc.
 
14-- Brief excert from "Preludio a Cristobal Colon" by Julian Carrillo.
       96-tone octave.  Starts with 1/8 tones (i.e. 48/oct), then 1/4s (24/oct),
       then 1/8s again.  Starts on E, fermata on E, E, B, E:B.
****** Sequence of examples on computer music lecture tape. ******
 
1 -- Sine Wave Prelude   (3 different envelopes, pure sine tones.)

2 -- 13-tone scale from middle C. (2 times, no leader between)

3 -- 13 over 12;  14/12;  15/12;  18/12;  24/12.   Stereo, no reverb.
 
4 -- Woodblock (xylo) rhythms.  8th note bass, Eb-G.  Upper, C, F#, etc.
       8ths;   triplets(12th);   16th;   quintuplets(20);   sextuplets(24);
       septuplets(28);   nonuplets(36);   13:2(26ths).
 
5 -- Same as above but 2 times with accel. and rit.  mm=60→180,  180→32.

6 -- FM: Small bells, then trumpets.   (Chowning's father-in-law's carol.)

7 -- Repeat of Sine Wave Prelude   (3 different envelopes, pure sine tones.)
 
8 -- Jazz improvisation.  (3 choruses, Blues in C)
 
9 -- Bach, "Musical Offering", Riddle canon (Seek and ye shall find.)
 
10--   "       "           "       Endless ascending modulation.
                    (The modulation ascends as does the glory of the King.)

11-- Bach, "Musical Offering", 3-part canon with changing FM and additive sounds.

12--   "       "           "       4-part canon in G minor.     "    "      "         "
 
13-- Excerpt from end of "Machines of Loving Grace".  Gradual glissando, etc.
 
14-- Brief excert from "Preludio a Cristobal Colon" by Julian Carrillo.
       96-tone octave.  Starts with 1/8 tones (i.e. 48/oct), then 1/4s (24/oct),
       then 1/8s again.  Starts on E, fermata on E, E, B, E:B.